ch. 1. Brief history of intaglio / Elizabeth Dove
ch. 2. Intaglio and the tradition of toxicity
ch. 3. Non-toxic intaglio studio
ch. 7. Making a plate hanger
ch. 8. Pro-vertical etching tank
ch. 9. Etchant ferric chloride / Stephen Hoskins & Dr. Roy Pearce
ch. 10. Edinburgh etch / Friedhard Kiekeben
ch. 11. Ferric chloride preparation
ch. 13. Making a print mailing tube
ch. 14. Intaglio press set-up
ch. 15. Intaglio press modifications
ch. 16. Intaglio printing
ch. 17. Making an imagOn dispenser
ch. 18. Introduction to the intaglio-type
ch. 19. Intaglio-type quick-start
ch. 20. Intaglio-type quick-start guide
ch. 21. Non-etch intaglio-type
ch. 22. Etched intaglio-type
ch. 23. Wash-drawing intaglio-type
ch. 24. Layered intaglio-type
ch. 25. Wrinkled intaglio-type
ch. 26. Mezzo intaglio-type
ch. 27. Direct intaglio-type
ch. 28. Relief etch intaglio-type
ch. 29. Transfer intaglio-type
ch. 30. Lith film photographic halftones
ch. 31. Chameleon intaglio-type
ch. 32. Intaglio-type four colour separation
ch. 33. Halftones without a darkroom
ch. 34. Contone intaglio-type
ch. 35. Exposure systems for the intaglio-type
ch. 36. Sun exposure intaglio-type
ch. 37. Ink foil mono-print
ch. 38. Working the plate
ch. 39. Reworking the plate
ch. 40. ImagOn safe handling guide
ch. 42. Water resist/aquatint stencils
ch. 43. Destruction-ground
ch. 44. Reverse mezzotint
ch. 46. Acrylic soft-ground
ch. 47. Acrylic hard-ground
ch. 48. Non-toxic polyester plate lithography / George F. Roberts
ch. 49. Health and safety in printmaking / Monona Rossol
ch. 50. Graduate studies in non-toxic printmaking
ch. 51. Canadian School for Non-toxic Printmaking
ch. 52. Prospectus for program collaborations
ch. 53. Summer printmaking workshops.
