The red ribbon
(Book)
Author
Published
Somerville, Mass. : Candlewick Press, 2018.
Format
Book
Edition
First U.S. edition.
Status
Sequim - YA Fiction
YA ADLINGT Lucy
1 available
YA ADLINGT Lucy
1 available
Copies
Location | Call Number | Status |
---|---|---|
Sequim - YA Fiction | YA ADLINGT Lucy | Available |
Description
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Also in this Series
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Subjects
LC Subjects
Birkenau (Concentration camp) -- Fiction.
Birkenau (Concentration camp) -- Juvenile fiction.
Dressmakers -- Fiction.
Dressmakers -- Juvenile fiction.
Historical fiction -- Juvenile fiction.
Historical fiction.
Nazi concentration camps -- Fiction.
Nazi concentration camps -- Juvenile fiction.
World War (1939-1945) -- Fiction.
World War, 1939-1945 -- Concentration camps -- Fiction.
World War, 1939-1945 -- Concentration camps -- Juvenile fiction.
Young adult fiction.
Young adult fiction.
Birkenau (Concentration camp) -- Juvenile fiction.
Dressmakers -- Fiction.
Dressmakers -- Juvenile fiction.
Historical fiction -- Juvenile fiction.
Historical fiction.
Nazi concentration camps -- Fiction.
Nazi concentration camps -- Juvenile fiction.
World War (1939-1945) -- Fiction.
World War, 1939-1945 -- Concentration camps -- Fiction.
World War, 1939-1945 -- Concentration camps -- Juvenile fiction.
Young adult fiction.
Young adult fiction.
More Details
Published
Somerville, Mass. : Candlewick Press, 2018.
Edition
First U.S. edition.
Physical Desc
271 pages ; 22 cm
Language
English
Accelerated Reader
MG+
Level 4.6, 10 Points
Level 4.6, 10 Points
Notes
General Note
Originally published in 2017.
Description
As 14-year-old Ella begins her first day at work she steps into a world of silks, seams, scissors, pins, hems and trimmings. She is a dressmaker, but this is no ordinary sewing workshop. Hers are no ordinary clients. Ella has joined the seamstresses of Birkenau-Auschwitz, as readers may recognise it. Every dress she makes could mean the difference between life and death. And this place is all about survival. Ella seeks refuge from this reality, and from haunting memories, in her work and in the world of fashion and fabrics. She is faced with painful decisions about how far she is prepared to go to survive. Is her love of clothes and creativity nothing more than collaboration with her captors, or is it a means of staying alive?