"Charlotte Holmes, Lady Sherlock, returns in the Victorian-set mystery series from the USA Today bestselling author of A Conspiracy in Belgravia and A Study in Scarlet Women, an NPR Best Book of 2016. Under the cover of "Sherlock Holmes, consulting detective," Charlotte Holmes puts her extraordinary powers of deduction to good use. Aided by the capable Mrs. Watson, Charlotte draws those in need to her and makes it her business to know what other people...

Maisie Dobbs, the extraordinary psychologist and investigator, delves into a strange series of crimes in a small rural community involving mysterious fires, petty crimes, and the legacy of a wartime Zeppelin raid.

"USA Today bestselling author Sherry Thomas turns the story of the renowned Sherlock Holmes upside down... With her inquisitive mind, Charlotte Holmes has never felt comfortable with the demureness expected of the fairer sex in upper class society. But she never thought that she would become a social pariah, an outcast fending for herself on the mean streets of London. When the city is struck by a trio of unexpected deaths and suspicion falls on her...

Spring 1937. In the four years since she left England, Maisie Dobbs has experienced love, contentment, stability, and the deepest tragedy a woman can endure. Now, all she wants is the peace she believes she might find by returning to India. But her sojourn in the hills of Darjeeling is cut short when her stepmother summons her home to England, her aging father Frankie Dobbs is not getting any younger. But on a ship bound for England, Maisie realizes...

Maisie Dobbs investigates the mysterious death of a controversial artist?and World War I veteran?in the fourth entry in the bestselling series.

When listeners last heard Maisie Dobbs, it was 1938, and the world was on the brink of war. Maisie herself was on a dangerous mission inside Nazi Germany, where she encountered an old enemy and the Fuhrer himself. In In This Grave Hour, a year has passed, and Maisie is back home in England - yet neither she nor her nation is safe. Britain has just declared war on Germany and is mobilizing for the devastating battle ahead. But when she stumbles on...

Bea Abbot runs a domestic agency that doesn't "do" murder. There's nothing sinister about Zander's request for Bea to accompany him on an errand to a grieving widow, but it's awkward because it was Zander who'd exposed the scam that his boss Denzil had been running on the Tudor Housing Trust ... after which Denzil had, expectedly, died. Oliver, Bea's computer geek of an assistant, is delighted to delve into the mysteries left on Denzil's computer....

Maisie Dobbs must catch a madman before he commits murder on an unimaginable scale.

Bea Abbot's domestic agency does not, repeat not, investigate murder . . . that is, until she finds herself in the company of a dead man dressed as a pantomime dame. It looks like suicide, but why don't his red-spangled shoes fit? Why is the mans daughter so keen to hustle his mortal remains away without publicity? Then again, which of the women around him--two surviving wives and a daughter--really cared about him, rather than his money?

While Bea Abbot worries that she's lost control of her domestic agency, she's asked to find some domestic help for an eccentric musician falsely accused of murder. She doesn't realize how dangerous this might be until Jeremy--fleeing from attempts on his life--lands on her doorstep.